The play will be held on September 1 and 2 in Kolkata at JANUS, Centre for Visual & Performing Arts, at 7pm.

Director's note:

The partition of India was a traumatic experience for all, but was more so for the millions of people who crossed the borders on both sides.

It is generally accepted that the 1947 Partition of Bengal is very different from that of West Pakistan because of numerous social, political and historical reasons.

The 1950 communal riots caused a massive number of people to enter West Bengal. The very core of everyday lives of these people were so intertwined,  that the wounds still continue to fester.   Interestingly the westward migration has continued unabated for the last seven decades since independence.

The identity of the Bengali people, whether Hindu or Muslim, rests on their shared language, rituals & customs as well food habits & memories.

The emergence of Bangladesh as an independent nation in 1971 is proof that the partition of India on the basis of religion was wrong.

History is witness to the fact that whenever there is violent uprooting and displacement of a people, the question of gender becomes a serious issue and at the same time compulsions of survival start to take precedence over moral concerns.

Synopsis:

Her House

The story of Ayesha, who was born in Calcutta, but moved to Dhaka when East Pakistan became Bangladesh in 1971. She is returning today after three years on the invitation of  a Friendship Committee.

In 1970, her family had moved to Dhaka but Ayesha had stayed back in Calcutta, in order to finish her studies. During this time she developed a strong bond with Amit. On her father’s death she moved to Dhaka for good. She had kept in touch with Amit and his family through letters.

Ayesha had written to both Amit and his mother, informing them of her impending visit. As Ayesha lands in Calcutta she is hit by a gust of memories and a strong desire to reconnect with her city of birth. She is reminded of Amit’s last letter where the words  “ that particular soil in which we take root” still bothers her. The question whether the country of one’s birth was also one’s motherland always awakened a sense of rootlessness in her.

As the story unfolds we see the effect of memories on our sense of belonging and identity.

Prateek / Symbol

This story is of Pushpita, who is pregnant and on the verge of labour, crossing the river Mahananda with her husband Ali Ahmad,  in a boat to East Pakistan along with several others of her village.

She struggles throughout the journey with her  pain of labour as well as the pain of being evicted from the country of her birth.

As she reaches the new land, her water breaks. She wonders if other sons born on this soil will one day turn against each other…..

She names her son Prateek Ahmed, a symbol of a new hope created by a Hindu mother and a Muslim father.

The Final Solution

In the last story, we find that Mallika’s family of four, dispossessed of all their belongings, have taken shelter at a railway platform in Calcutta.

For some reason Mallika’s family have placed their faith in Pramatha and Ramlochan of ‘ Help and Welfare Society’.

As the story progresses, we see how the women are at the mercy of those ready to take full advantage of the all around collapse of norms. Exploited in every possible manner, even willingly so, they accept any offer in a desperate bid to survive.

Mallika had resigned herself to the situation when she is called to Pramatha’s house. Something snaps inside her. She believes she has found a way out - the final solution.

Venue and time: JANUS, Centre for Visual & Performing Arts, Suraiya Court, 187 Park Street, Kolkata-17; Sep 1 and 2, 2018; time : 7pm

Contact: 98369 55998